"There Once Were Two Clouds in the Sky" wins Bradford Gromelski Jury Award

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I’m so honored and happy to share that my new one-act play, THERE ONCE WERE TWO CLOUDS IN THE SKY, recently received the Bradford Gromelski Jury Award from Fusion Theatre, landing the highest score out of 700+ plays submitted from 40 states and 9 countries!

THERE ONCE WERE TWO CLOUDS IN THE SKY is a 2-person comedy/drama about two clouds trying to find meaning in their brief lives before they dissipate forever. When one proposes a risky way to solve their dilemma, they have to decide, together, if it’s worth it. It is suitable for any gender and any age. You can find the play and an excerpt here.

Fusion Theatre, in Albuquerque, NM has grown to establish one of the premier ten-minute play festivals in the country, called THE SEVEN…(click below to read more)

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Climbing the Walls Exhibition: Including new monologue by Tara Meddaugh, The Best General Tso's, featuring Sara Jean Ford

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I’m happy to be a part of a joint exhibition between Studio Theater in Exile and Hudson Valley MOCA called Climbing the Walls. Artistic Director of Studio Theater, Mara Mills, envisioned the virtual exhibition as a vehicle to "explore the ways we are experiencing life right now and how we imagine the future” during this global pandemic.

My short (1.5 minute) monologue, “The Best General Tso’s features the fabulously talented actor, Sara Jean Ford (you may know her as Christine Daae in Phantom of the Opera on Broadway—and from lots more!). It’s about finding old General Tso’s chicken in the refrigerator during stay-at-home measures. While losses are certainly felt in big moments, I’ve often found that it’s in mundane moments that our pains become acute. Because these moments are day-to-day, they’re also frequent and hard to escape. The Best General Tso's is, on one hand, a comedic moment between partners, but it also draws on the complex feelings and experiences underlying a simple mundane moment. Sometimes a leftover is not just a leftover.

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5 Benefits of Learning a 5 to 10 Minute Monologue

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So you’re interested in learning a 5-minute to 10-minute monologue! Great! Shorter monologues are perfect for many things, such as auditions, showcases, reels, videos, and you can find monologues of that length here: comedic monologues and dramatic monologues. But if you’re considering learning a longer monologue, check out my 3-10 minute monologues here. And peruse some of the benefits to learning a monologue of this length below!

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Shrews Taming Shrews: All female cast of this classic for The Public's "Shakespeare in the Park"

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Okay, using the word "shrew" makes my 21st Century self cringe for some reason.  Other than the mouse-like mammal, a shrew is defined as "a bad-tempered or aggressively assertive woman" which is certainly not most women, and certainly not just women who don't want to get married. But Shakespeare used it, and so do I.  Is Katherina a shrew? Is female-Petruchio a shrew? Well, now you can judge for yourself in a month or so...

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The Blank Theatre's Young Playwrights Festival: Open for submissions

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People have asked me before how I see theatre standing up to the next generation filled with such a high focus on technology, social media sans face-to-face connections, and a lack of interest in the arts. There are challenges, to be sure. There always have been, and there always will be. Theatre is not an easy medium...

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The National YoungArts Foundation: Resouce for teens

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If you're an artist between the ages of 15-18 (10-12 grade), you can considering applying to the National YoungArts Foundation. Applications are accepted in a variety of fields, including cinematic arts, classical music, and writing (to name a few) and you can find the application here (be aware, unfortunately, there is a $35 application fee, but you can get it waived).  So what is the National YoungArts Foundation? Well, in their own words...

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Talented actors take "Holding Ginger" to State Competition

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One of my favorite things as a writer is to receive personal emails from actors relaying their positive experiences with my monologues or plays. You might not think I read all the emails, but I actually read each one personally. I can't be present at many performances, so I appreciate hearing how things go, especially when a performance is well-received, or confidently played.

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