New Rom-Com Monologue: Head to Toe

March 28, 2023 by Tara Meddaugh in 2-minute monologue, 3-minute monologue, comedic, dramatic, love, monologue for female acto, Monologues, romance, Teen, virtual theater, Zoom plays

Sydney is on a first date. A blind date. And a zoom date during the covid-19 lockdown. Needless to say, she’s nervous—but she’s also excited to possibly form a new human connection. And during this date…her cat pees on the floor. Is her cat seeking attention, since he’s been the only one to get her affection for 8 weeks? And will her date wait for her while she cleans up the mess?

I wrote this monologue a couple of years ago, but for some reason, held onto it in the “laptop cave files” until today. Do any single folk remember what it was like to be isolated in a living quarters with literally no one else, except maybe a pet? Thank God for pets, right? Humans need affection, they need interaction, they need comfort and cuddles and touch. And while I ask “does anyone remember”—honestly, three years (or less) really isn’t that long ago…

This idea is forefront in my monologue, Head to Toe, although it’s sandwiched by a jealous cat who might be peeing to ruin Sydney’s blind date! Sydney is a fun role for an actor to play, or director to direct, as she has a lot of action (especially for someone on Zoom), coupled with humor, first-date nerves and excitement, as well as the poignancy of striving for connection amidst isolation.

The Bronze Lining: New 2-Person 10-Minute Drama/Comedy

September 22, 2022 by Tara Meddaugh in comedic, Drama in real life, dramatic, Grief, outdoor theater, Plays, Teen, ten-minute plays, women, virtual theater, Zoom plays

In 2019, I wrote The Bronze Lining, a 10-minute dramedy, with 2 great female roles. It’s about estranged sisters who attempt to reconnect during a hike after their mother’s death. There’s a lot of damage between them, stemming not only from some traditional sibling rivalry, but also from how each one handled the sickness of their mother, the process of dying, and now, the process of grieving. You can read an excerpt of the play here or get the whole play here.

This play was originally inspired by a painting, as part of The Living Art Event, a collaboration between visual artists of the Ossining Arts Council and the performing artists of Westchester Collaborative Theater (WCT). Jill Kiefer's piece, "Such a Bewilderness...", drew me in. I loved the richness, the muddiness, the twists, the brown and white and black, the textures, and that dragonfly escaping the mire into the air. The sisters in The Bronze Lining are also entrapped in their shared history, intertwined in the muddiness of complicated relationships that ebb and flow, damage and repair. Siblings have a connection that is going to bind them forever—although what sisters Mindy and Anne choose to do with that bond in the future, especially now that both of their parents are gone, is uncertain.

The production of this play has had its own complicated history, not without grief. In January 2020, at our first round of auditions, I met the director slated for this festival, Joe Albert Lima. He was smart, good-natured, experienced, and I immediately felt I could trust him with my play. He apologized for being a bit out of breath and coughing occasionally; he used an inhaler and mentioned his asthma had been bothering him. Tragically, less than a week later, he was hospitalized and passed away. While I didn’t know him well or long, I was shocked and pained by this loss, especially for his family and close friends. The theater community also felt this loss as he had a long history as a director in the area and was a founding member of WCT.

Meanwhile, covid-19 was making more and more headlines abroad.

Great Virtual or Social Distancing Christmas Play: Christmas Superpowers and Believing in Blitzen

November 22, 2021 by Tara Meddaugh in 1-minute monologue, children, Children's theatre, Christmas, comedic, gender neutral casting, inclusive casting, holiday, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, one-act plays, Plays, pre-teen, socially distant theater, Teen, Zoom plays, virtual theater

While some theaters and schools are open for in-person performances, there are many throughout the world which are not able to be open in this capacity yet. (We are all in different situations throughout the globe and my heart is with you all!) If your school or theater is looking for a family-friendly Christmas show which lends itself to social distancing or virtual theater, check out the one-act play, Christmas Superpowers and Believing in Blitzen. Since this is a monologue-heavy play, it allows for increased social distancing in rehearsals and performances and also slides more easily into virtual theater.

Christmas Superpowers and Believing in Blitzen is a comedy great for children, teens or young adults playing the roles of children. It runs approximately 30 minutes with a minimal set, and with doubling, has 5 roles (2 female, 3 male). Without doubling, it has a cast of (3 male, 2 female, 3 gender inclusive/flexible casting—but in reality, most of the roles can be gender flexible).

To four children, Christmas is no simple sleigh ride. Annie’s new best friend is a talking reindeer, and she’s not sure if that’s really okay. Sam is experiencing the pressure of being the Lead Shepherd in the church pageant. Dylan has a very secretive wish he hopes Santa can deliver. And Lauren needs to make sure someone is giving her little brother a very special Christmas. Experience the joys and challenges of Christmas through the eyes of these children in this monologue-driven one-act comedy.

Christmas Plays: talking reindeer, mistletoe melancholy, Christmas tree blood and more!

December 03, 2018 by Tara Meddaugh in children, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, monologue collections, 2-minute monologue, 3-minute monologue, 30-second monologue, 5-minute monologue, 5-minute play, child monolog collection, Children's theatre, Christmas, comedic, comedy monolog collection, dramatic monolog collecti, inclusive casting, one-act plays, Plays, pre-teen, socially distant theater, Teen, teen monologue collection, tween, virtual theater, play collection

As we sled into December, first, a very warm Happy Hannukah or Happy Chanukah (or use one of the other 14 spellings!)! And second, the Christmas Theater season is upon us! Is there a classic holiday play you see every year? Or a new Christmas show you are looking forward to this season? For me, I recently enjoyed A Charlie Brown Christmas: Live On Stage followed by one of those crazy milkshakes shared by 4 of us (check out the pic!)! Nothing says Christmas like tons of sweets, right (Okay, yes, lots of things say Christmas other than sweets! But one must exert some sugar will power around the holidays!)? Next weekend, I’m looking forward to nestling into an historic Dutch church in legendary Sleepy Hollow to watch a one-man show of Charles Dickens’s A Christmas Carol. The following weekend, I’ll enjoy a one-hour version of The Nutcracker. I love to suppor theater year-round, but there is something special about seeing a warm holiday show in December!

As much as I love seeing Christmas Drama, I also love writing it! So check out some of my Christmas theater below (a one-act play, a 5-minute one-man show, and several monologues for kids to adults)! Click on the links to read excerpts from all of the holiday monologues or holiday plays or to get the full versions. Enjoy the holiday season!…