"Cutting Down the Tree" by Tara Meddaugh: A dark comedy monologue

January 24, 2021 by Tara Meddaugh in comedic, dark comedy, dramatic, monologue for female acto, Monologues, thriller, outdoor theater, Halloween

If you’re looking for a humorous monologue with a dark undertone, check out my new monologue, Cutting Down the Maple Tree. Kari is pushed too far by her (presumably cheating) husband and lashes out in vengeance, cutting down a taunting tree and trapping his drunken legs under it. Now, at least, the tree will no longer have hold over her and she looks forward to a “fresh start” with her husband.

This dark comedy/thriller/dramatic monologue is approximately 2 1/2 minutes long, and is appropriate for adults, 20s to 60s. It is a fun and challenging role for an actor, as Kari’s intentions, emotions and state of mind are complex and varied. Enjoy an except below:

Clippers by Tara Meddaugh: A dramatic monologue from the one-act play, Seventeen Stitches

January 21, 2021 by Tara Meddaugh in blind casting, dark comedy, dramatic, gender neutral casting, inclusive casting, monologue for female acto, Monologues, monologues for male actor, one-act plays, Teen, Suspense, thriller, Halloween

If you’re looking for a 2-minute dramatic monologue from a play, check out my newly released monologue, Clippers, from my one-act play, Seventeen Stitches. Clippers is appropriate for tweens, teens and young adults; it is suitable for actors of any gender. In this monologue, Peter struggles to make sense of his father’s actions and intentions. When Peter was attacked by a bully who wanted his bike, Peter’s father rescues his son, but lets the bully take the precious bike. Peter doesn’t understand why his loving father would not punish the bully, and from that moment on, feels abandoned by his father.

The Meaning of Plants by Tara Meddaugh: A Dramatic monologue from the play, Brush Them Fleas

January 14, 2021 by Tara Meddaugh in 1-minute monologue, comedic, dramatic, monologue for female acto, Monologues, monologues for male actor, inclusive casting, Teen, full-length plays

If you’re looking for a dramatic (slightly comedic) monologue from a full-length play, check out my 2-minute or 1-minute version of the monologue, The Meaning of Plants. In it, Stacy expresses her disdain for pretty flowers which hold meaning from the giver (like, “I love you,” “I’m sorry” or “you died”). She prefers the brightness and freedom of dandelions, but most of all, she loves potatoes. Their existence is hidden below the common world, but while humble, is very important.

Stacy is not entirely unlike the humble, but important potato, lying undiscovered. She is a hard working employee at a dog grooming salon. She’s awkward, a bit uncomfortable in her own skin. She endures harassment and lies from another employee, but has found Mr. Boland, the client she speaks to about plants, to be an unassuming, gentle soul. Through the play, Brush Them Fleas, Stacy struggles against accusations and lies, and ultimately finds her own voice and strength. Click here to read the full-length absurdist comedy, Brush Them Fleas or an excerpt from the play.

This monologue has a 1-minute version here (which ends before Stacy speaks about potatoes), as well as a longer 2-minute version here, including her musings on the potato.

Learn the brief description of the play, Brush Them Fleas, from which this monologue comes, then enjoy and excerpt below from the monologue, The Meaning of Plants.

Eiffel Tower Keychain by Tara Meddaugh: New dramatic children's monologue

January 12, 2021 by Tara Meddaugh in 30-second monologue, blind casting, children, dramatic, gender neutral casting, inclusive casting, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, tween

Cruelty continues to be a theme I explore in my work for adults, as well as for children and teens. It’s a theme that will always be examined in many mediums by many people—because, sadly, it happens from cradle to grave—from those with the least power to (quite dangerously) those with the most power.

While my writing often explores cruelty, more importantly, it explores those who experience cruelty and their journey to gain strength. This happens in outwardly large ways and it happens in seemingly small ways. Giving voice to those struggling against oppressors, whether this be from leaders, “frenemies,” manipulating criminals, or schoolyard bullies, is important because these voices are valuable, precious, and inspiring. They are the ones we need to hear.

In my short monologue, Eiffel Tower Keychain, Lindsey gains strength against her classroom bully. Lindsey’s father, who has moved and no longer lives with her, gave her a glass Eiffel Tower keychain, which now a bully has grabbed from her. Lindsey pleads with the taunting bully to give her back the keychain. At first she is meek, then she demands it back with the strength of deserved self-worth. This is a short dramatic monologue, only around 30 seconds in length, appropriate for children or tweens, gender-neutral.

Butterfly in the Tomato Plant by Tara Meddaugh: New 30-second children's dramatic monologue

January 08, 2021 by Tara Meddaugh in children, blind casting, dramatic, gender neutral casting, inclusive casting, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, pre-teen, tween, 30-second monologue, outdoor theater

If you’re looking for a short children’s monologue with a dramatic bent, consider my monologue, Butterfly in the Tomato Plant. It is a challenge to perform (or write) a monologue which shows arc and range in 30 seconds but rewarding to explore. In Butterfly in the Tomato Plant, Nicole observes an injured butterfly, bullied by the same children who had bullied her the previous day (they ripped her backpack and now they have ripped the butterfly’s wings). She reflects on her own desire to have wings and escape bullies, but then realizes the butterfly’s wings did not end up saving it. She decides to take the butterfly home to care for it in a windowsill plant she has been nurturing herself.

November Newsletter: Christmas Monologues and Giving Back Initiative

November 25, 2020 by Tara Meddaugh in Newsletters

Enjoy my November Newsletter, featuring Christmas monologues, my Giving Back Initiative, and several new monologues.

20 + Christmas Monologues

November 13, 2020 by Tara Meddaugh in 1-minute monologue, 5-minute play, blind casting, child monolog collection, children, Children's theatre, Christmas, comedic, comedy monolog collection, dark comedy, dramatic, dramatic monolog collecti, gender neutral casting, holiday, inclusive casting, monologue collections, monologue for child actor, monologue by child, monologue for female acto, monologue written by chil, Monologues, monologues for male actor, pre-teen, Teen, teen monologue collection, tween

Check out these twenty (20)+ Christmas monologues below, plus a packet of additional Christmas monologues for children, extracted from my one-act play, Christmas Superpowers and Believing in Blitzen. These monologues range in length from 30 seconds to 5 minutes, great for video/zoom or in person, comedic or dramatic, kids, male, female. Enjoy, be well, and enjoy the extended holiday season! (*This list is always being updated, so check back for new additions!)

Christmas Kale by Tara Meddaugh: a 1-minute children's comedic monologue

November 10, 2020 by Tara Meddaugh in blind casting, children, Children's theatre, Christmas, comedic, dramatic, gender neutral casting, holiday, inclusive casting, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, pre-teen, tween, 1-minute monologue

It’s Christmas morning and Sam has a problem. He is outraged that Santa has, yet again, given him oranges in his stocking, despite his previous complaints that he doesn’t like them. Since Santa has not heeded his requests, Sam devises a simple plan that will teach Santa a lesson.

Christmas Kale is a one-minute comedic children’s monologue, for an inclusive cast (not gender specific). It’s suitable for children or pre-teens.

Christmas Kale is from the one-act play, Christmas Superpowers and Believing in Blitzen.

New Dramatic 5-minute monologue: Strawberry Shortcake Lamp by Tara Meddaugh

October 28, 2020 by Tara Meddaugh in 5-minute play, dramatic, Grief, monologue for female acto, Monologues, Plays

In this 5-minute dramatic monologue, Strawberry Shortcake Lamp, Janine returns to her childhood Home to spend time with her mother who is dying. Janine’s mother has ALS, a progressive disease, and in the last few weeks, her health has rapidly declined to the point of barely being able to speak or move. When Janine first arrives to the house, she asks her mother what she would like to do. Her mother gives her the simple request to “talk.” And so, Janine cuddles up in bed beside her, and talks.

This is a monologue about grief, about simplicity, about love, care, living on, passing down, and sacred links between women. I also share it today, on the anniversary of my own mother’s death. Click here for more on ALS.

Click for a free excerpt to the monologue, Strawberry Shortcake Lamp.

Chat-n-Read Dramatic Read-Aloud of "Fly Guy and the Frankenfly" by Tedd Arnold

October 22, 2020 by Tara Meddaugh in chat-n-read, children, Community, Education, family, Literary

If Creepy Carrots are not creepy enough for you, what about a FRANKENFLY?? Or, just, how about a fly who can talk at all?

Enjoy my latest Chat-n-Read where I pose the most thought-provoking question yet…

Would you share your chemistry set…with a FLY???

In Fly Guy and the Frankenfly by Tedd Arnold, Buzz makes all sorts of fun creations for him and his best bud, Fly Guy. Fly Guy wants to make something special for Buzz too. But what happens when Fly Guy’s creation gets a little out of hand?

Find out in this fun Halloween-appropriate read-aloud!

Children/Teen Monologue: Second-Hand Dirt by Tara Meddaugh

October 14, 2020 by Tara Meddaugh in blind casting, children, Children's theatre, comedic, dramatic, gender neutral casting, inclusive casting, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, Teen, ten-minute plays, allegory, one-act plays, outdoor theater

In Sharing Soil (a 10-minute play within my longer vignette-style piece, Movements of the Wind), Carrot and Potato risk safety and rejection from their own garden cultures when they embark on a new friendship in the face of soil prejudices.

Carrot’s monologue, Second-Hand Dirt, from Sharing Soil, shows a moment of how hurt can be masked with scapegoating. Carrot has just been bullied by other carrots, even having her carrot tip bitten off by them. When Potato finds her crying, Carrot lashes out in misplaced anger toward the quizzical young vegetable. Potato does not stand for this, and Carrot shares how her attempts to be kind to other carrots have not been reciprocated, leading her to become “mean.”

October 2020 Newsletter: Theater ideal for Halloween

October 08, 2020 by Tara Meddaugh in Newsletters

Enjoy my October newsletter, featuring lots of theater ideal for Halloween!

Happy Halloween and Happy Fall!

Many of us are celebrating holidays differently during this pandemic, and I resurrected an old tradition by carving a pumpkin with my family for the first time in years. I even roasted the seeds (one batch olive oil and bagel seasoning; the other batch butter and cinnamon sugar). Fun and YUM! I think we're all trying to appreciate the large and small things, right? And...that always includes our mutual love--theater!

Halloween just might be the most dramatic holiday of the year! We love to delve into the silly, the spooky and the weird for this season. So let's enjoy some Halloween theater below - monologues, plays, and even a creepy dramatic read-aloud by yours truly (my alter-ego, Chat-n-Read!).

Happy Creating!

~Tara

Newly Released 10-Minute Play for 2 Actors: Waiting For Wind by Tara Meddaugh

October 06, 2020 by Tara Meddaugh in comedic, dramatic, gender neutral casting, love, outdoor theater, one-act plays, Plays, Playwriting, romance, Teen, ten-minute plays, inclusive casting, blind casting

Two tulips’ lives change for the better when they meet each other at high sun. They have a connection and it is clear they were meant for each other. Yet can they overcome their fears about the future, and lift each other up, despite the stagnant air? (CLICK HERE FOR THE PLAY)

Waiting for Wind is a 2-person dramatic/comedic play with a running time of approximately 10 minutes. It’s set in a flower garden and has flexible inclusive/blind casting (the characters are flowers!). It’s great for festivals, performances, outdoor theater, duo interpretation forensics competitions, classroom or theater study, workshops, and themed productions.

Dramatic Halloween Read-Aloud from Chat-n-Read: Creepy Carrots by Aaron Reynolds, illustrated by Peter Brown

October 05, 2020 by Tara Meddaugh in children, comedic, Community, dark comedy, Drama in real life, dramatic, Education, family, holiday, Literary, social, Suspense

Of all the holidays, Halloween just might be the most dramatic! Anything can become spooky melodrama when you put on an eerie voice, add a bit of black-and-white illustration, and make inanimate objects start FOLLOWING YOU! Kids - enjoy this spooky and fun read-aloud from Chat-n-Read (one of my other adventures!) of Creepy Carrots written by Aaron Reynolds and illustrated by Peter Brown.

We’ll chat about what makes things creepy and then share the story of Jasper Rabbit and what happens to him when his favorite garden snack starts creeping him out! Make sure you stick around to the end, because it’s quite clever!

Now, say this in a spooky voice and wave your hands around all creepy-like: “Enjoooooooy!”

Jumping the Wind by Tara Meddaugh: 10-minute play for outdoor theater

October 02, 2020 by Tara Meddaugh in children, Children's theatre, comedic, dark comedy, dramatic, gender neutral casting, one-act plays, outdoor theater, Plays, socially distant theater, Teen, ten-minute plays

Have you ever seen a play about pollen before? I’m not talking documentary-style. I’m talking about pieces of individual pollen, with their own hopes, dreams and fears. In my allegory, Jumping the Wind, you meet two pieces of pollen, Pollen V-6 and Pollen K-10. The flower on which Pollen V-6 and Pollen K-10 have lived their entire lives has wilted and is dying. If they do not make a dangerous jump to a fresh flower, Cat will destroy the flower and any remaining pollen that night. All other pollen have already made the jump to presumed safety, but Pollen V-6 has been too frightened to leave. She doubts the tales that anything better lies beyond. The leader, Pollen K-10, has remained behind with her, and has to decide how long he will stay to rally her before his own safety is in jeopardy. Jumping the Wind is a story of leaving the familiar, taking risks for the promise of something better. It’s the story of facts versus hope. And a story of friendship and trust.

Here are seven (7) reasons why Jumping the Wind is a memorable (and practical!) play to produce:

10-minute dramatic monologue play: Marsopa's Tale by Tara Meddaugh

October 01, 2020 by Tara Meddaugh in dramatic, fairy tale, monologue for female acto, Monologues, mystical creatures, one-act plays, outdoor theater, socially distant theater, Teen, ten-minute plays, Zoom plays, mermaids

Mermaids are the subject of many tales and legends around the world. In my 10-minute one-person play, Marsopa’s Tale, Marsopa, a mermaid herself, confronts the myths surrounding mermaids, as she makes a choice to be more than simply folklore.

Marsopa is the lone mermaid of her sea, but enjoys the company of her best friend and water-sister, a dolphin named Stone. But when Stone considers starting her own family, Marsopa faces the idea of being truly alone. That is - until she makes eyes with an intriguing fisherman... Now Marsopa must call into question the truth of mermaid and human legends, and decide what she is willing to risk for the possibility of creating her own fate.

17 Suspenseful Monologues

September 30, 2020 by Tara Meddaugh in comedy monolog collection, dark comedy, dramatic, dramatic monolog collecti, Halloween, monologue collections, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, mystical creatures, Suspense, teen monologue collection, thriller

Suspense is a powerful tool in theater. Who doesn’t want to keep the audience on the edge of their seat? Writers and directors can create entire plays or films that center on building suspense, ultimately paying off in the final scene. When you have only 1-2 minutes in a monologue to convey a scene or character, creating this world of suspense can be a challenge, but if you manage it, you’ll have your own payoff.

Here, I’ve compiled over 15 short monologues which cultivate a scenario of suspense, while conveying a memorable story and character. From murdered ferrets, floods and fangs, to guns, sirens and fires—these monologues are sure to keep your audience leaning in.

New dark comedy/Dramatic monologue: "What My Fangs Are For" by Tara Meddaugh

September 29, 2020 by Tara Meddaugh in children, dark comedy, dramatic, gender neutral casting, Halloween, monologue for child actor, monologue for female acto, monologues for male actor, Monologues, mystical creatures, outdoor theater, Teen, ten-minute plays, thriller, Suspense

My new monologue, What My Fangs Are For, is the story of a werewolf child telling his mom about his first squirrel kill; it’s darkly humorous, a bit creepy, a bit dramatic. But…it’s also the story of a boy discovering a new identity, trying to make his mother proud, then worrying, with horror, that his new identity may drive her to not love him anymore.

Maybe the whole “eating a raw squirrel” part is not so relatable, but Sammy is not the only child (or adult) to have to reveal a part of their identity which they worry a loved one may not accept.