"Staring at The Sloth" by Tara Meddaugh: New comedic children's play

March 09, 2021 by Tara Meddaugh in 5-minute play, blind casting, children, Children's theatre, comedic, dramatic, Education, gender neutral casting, inclusive casting, outdoor theater, Plays, pre-teen, Reader's Theater, Teen, tween

Have you ever felt someone was judging you, teasing you, or making fun of you when in fact, maybe they were just, I don’t know, hungry? Sometimes we can see our own insecurities mirrored back in other people’s (or sloths’!) eyes, when they’re not actually there. Self-acceptance and being confident in our own value—independent of what we assume others think about us—are such important qualities to nurture in children, teens, and yup, even adults. It’s one of those bright shimmering keys to happiness. :)

Staring at The Sloth is a comedic children’s play that runs about 5 minutes long. It’s cute, it’s funny, it’s sweet, and come on—SLOTHS! But at its core, it’s a story about a child, Riley, who is insecure, has been teased, and needs to shift perception to assume the best, instead of the worst, out of someone else. Luckily, Riley has an awesome friend who can help ground their perspective:

The sloth at the zoo keeps staring at Riley. Is it Riley’s spiky hair? Long nose? Or chocolate milk stain? Can Jaime convince Riley that the sloth is not making fun, but maybe, just maybe, thinks Riley is cool?

Meet Riley and Jaime in this excerpt from Staring at The Sloth. This short comedy is great for adults or teens who want to play children and perform for young audiences, or for children to try their hand at acting in a manageable play themselves. It’s also ideal classroom Reader’s Theater material for those practicing reading out loud, and for discussion about self-acceptance and being kind.

The play requires 2 actors, and gender casting is flexible/inclusive. It can work for Zoom, Outdoor Theater, competitions, classrooms or the traditional stage. Even in five minutes, there’s lots of room for creativity for actors, directors and designers. Enjoy an excerpt from new 5-minute play, Staring at The Sloth, or get the complete play below:

Snowman Versus Sun by Tara Meddaugh: New Children's Comedic monologue

February 10, 2021 by Tara Meddaugh in 1-minute monologue, blind casting, children, Children's theatre, comedic, gender neutral casting, inclusive casting, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, outdoor theater, winter, Christmas

Here near New York City, we have had quite a snowy February! When we received half an inch of snow at the end of January, my son and I spent almost an hour rolling up shreds of snow to create a small snowboy. I think he was half leaves and mulch, but hey; we had a little snow and were going to enjoy it! Of course, if we’d only waited a few days…we would have found ourselves in a true Winter Wonderland! A Nor’easter gifted us a glorious 2 feet of perfect packing snow! Needless to say, making a much larger snowman after that storm took a whole of five minutes. Not even a week later, we found ourselves receiving at least another foot of snow, and there’s more to come this week.

So—our family has made some sort of large snow-army in our backyard, a snow Bill Cipher, a snow-slide and lots of mini snowmen. Going on walks in the neighborhood is a treat, as we get to take in all the awesome snow creations people have made around us (we’ve even created “Snowman Certificates” to leave on people’s porches). So yes, we have snow on our brains! And…since my son has been responding to fiction writing-prompts for his schoolwork, he gave me a writing prompt himself which has resulted in this wintery children’s monologue, Snowman Versus Sun. I also have to give him credit as he designed the monologue cover himself (his at-home-digital-design class with Mom: Canva!)

As the title indicates, the monologue is about that age-old problem: snowman v. sun. In this 1-minute free comedic monologue great for young kids, Titus takes on the sun directly himself. Do you think the sun will listen to him? He’s got a pretty big request…

Clippers by Tara Meddaugh: A dramatic monologue from the one-act play, Seventeen Stitches

January 21, 2021 by Tara Meddaugh in blind casting, dark comedy, dramatic, gender neutral casting, inclusive casting, monologue for female acto, Monologues, monologues for male actor, one-act plays, Teen, Suspense, thriller, Halloween

If you’re looking for a 2-minute dramatic monologue from a play, check out my newly released monologue, Clippers, from my one-act play, Seventeen Stitches. Clippers is appropriate for tweens, teens and young adults; it is suitable for actors of any gender. In this monologue, Peter struggles to make sense of his father’s actions and intentions. When Peter was attacked by a bully who wanted his bike, Peter’s father rescues his son, but lets the bully take the precious bike. Peter doesn’t understand why his loving father would not punish the bully, and from that moment on, feels abandoned by his father.

Eiffel Tower Keychain by Tara Meddaugh: New dramatic children's monologue

January 12, 2021 by Tara Meddaugh in 30-second monologue, blind casting, children, dramatic, gender neutral casting, inclusive casting, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, tween

Cruelty continues to be a theme I explore in my work for adults, as well as for children and teens. It’s a theme that will always be examined in many mediums by many people—because, sadly, it happens from cradle to grave—from those with the least power to (quite dangerously) those with the most power.

While my writing often explores cruelty, more importantly, it explores those who experience cruelty and their journey to gain strength. This happens in outwardly large ways and it happens in seemingly small ways. Giving voice to those struggling against oppressors, whether this be from leaders, “frenemies,” manipulating criminals, or schoolyard bullies, is important because these voices are valuable, precious, and inspiring. They are the ones we need to hear.

In my short monologue, Eiffel Tower Keychain, Lindsey gains strength against her classroom bully. Lindsey’s father, who has moved and no longer lives with her, gave her a glass Eiffel Tower keychain, which now a bully has grabbed from her. Lindsey pleads with the taunting bully to give her back the keychain. At first she is meek, then she demands it back with the strength of deserved self-worth. This is a short dramatic monologue, only around 30 seconds in length, appropriate for children or tweens, gender-neutral.

Butterfly in the Tomato Plant by Tara Meddaugh: New 30-second children's dramatic monologue

January 08, 2021 by Tara Meddaugh in children, blind casting, dramatic, gender neutral casting, inclusive casting, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, pre-teen, tween, 30-second monologue, outdoor theater

If you’re looking for a short children’s monologue with a dramatic bent, consider my monologue, Butterfly in the Tomato Plant. It is a challenge to perform (or write) a monologue which shows arc and range in 30 seconds but rewarding to explore. In Butterfly in the Tomato Plant, Nicole observes an injured butterfly, bullied by the same children who had bullied her the previous day (they ripped her backpack and now they have ripped the butterfly’s wings). She reflects on her own desire to have wings and escape bullies, but then realizes the butterfly’s wings did not end up saving it. She decides to take the butterfly home to care for it in a windowsill plant she has been nurturing herself.

20 + Christmas Monologues

November 13, 2020 by Tara Meddaugh in 1-minute monologue, 5-minute play, blind casting, child monolog collection, children, Children's theatre, Christmas, comedic, comedy monolog collection, dark comedy, dramatic, dramatic monolog collecti, gender neutral casting, holiday, inclusive casting, monologue collections, monologue for child actor, monologue by child, monologue for female acto, monologue written by chil, Monologues, monologues for male actor, pre-teen, Teen, teen monologue collection, tween

Holiday lights and decorations are going up EARLY this year! While live productions in theater are rare right now (what a surreal/hard thing to say…), many performers are turning to monologues as they gear up for streamed shows, classroom performances, or socially distanced live theater. Monologue-based performances allow actors to rehearse on their own, and lend themselves easily to a Zoom-style platform. Whether you’re able to manage covid-precautioned in-person theater or are using a video service, holiday monologues can be a nice way to keep festive theater on the mind.

Check out these ten (10) Christmas monologues below, plus a packet of additional Christmas monologues for children, extracted from my one-act play, Christmas Superpowers and Believing in Blitzen. These monologues range in length from 30 seconds to 5 minutes.

Christmas Kale by Tara Meddaugh: a 1-minute children's comedic monologue

November 10, 2020 by Tara Meddaugh in blind casting, children, Children's theatre, Christmas, comedic, dramatic, gender neutral casting, holiday, inclusive casting, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, pre-teen, tween, 1-minute monologue

It’s Christmas morning and Sam has a problem. He is outraged that Santa has, yet again, given him oranges in his stocking, despite his previous complaints that he doesn’t like them. Since Santa has not heeded his requests, Sam devises a simple plan that will teach Santa a lesson.

Christmas Kale is a one-minute comedic children’s monologue, for an inclusive cast (not gender specific). It’s suitable for children or pre-teens.

Christmas Kale is from the one-act play, Christmas Superpowers and Believing in Blitzen.

Children/Teen Monologue: Second-Hand Dirt by Tara Meddaugh

October 14, 2020 by Tara Meddaugh in blind casting, children, Children's theatre, comedic, dramatic, gender neutral casting, inclusive casting, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, Teen, ten-minute plays, allegory, one-act plays, outdoor theater

In Sharing Soil (a 10-minute play within my longer vignette-style piece, Movements of the Wind), Carrot and Potato risk safety and rejection from their own garden cultures when they embark on a new friendship in the face of soil prejudices.

Carrot’s monologue, Second-Hand Dirt, from Sharing Soil, shows a moment of how hurt can be masked with scapegoating. Carrot has just been bullied by other carrots, even having her carrot tip bitten off by them. When Potato finds her crying, Carrot lashes out in misplaced anger toward the quizzical young vegetable. Potato does not stand for this, and Carrot shares how her attempts to be kind to other carrots have not been reciprocated, leading her to become “mean.”

Newly Released 10-Minute Play for 2 Actors: Waiting For Wind by Tara Meddaugh

October 06, 2020 by Tara Meddaugh in comedic, dramatic, gender neutral casting, love, outdoor theater, one-act plays, Plays, Playwriting, romance, Teen, ten-minute plays, inclusive casting, blind casting

Two tulips’ lives change for the better when they meet each other at high sun. They have a connection and it is clear they were meant for each other. Yet can they overcome their fears about the future, and lift each other up, despite the stagnant air? (CLICK HERE FOR THE PLAY)

Waiting for Wind is a 2-person dramatic/comedic play with a running time of approximately 10 minutes. It’s set in a flower garden and has flexible inclusive/blind casting (the characters are flowers!). It’s great for festivals, performances, outdoor theater, duo interpretation forensics competitions, classroom or theater study, workshops, and themed productions.

Jumping the Wind by Tara Meddaugh: 10-minute play for outdoor theater

October 02, 2020 by Tara Meddaugh in children, Children's theatre, comedic, dark comedy, dramatic, gender neutral casting, one-act plays, outdoor theater, Plays, socially distant theater, Teen, ten-minute plays

Have you ever seen a play about pollen before? I’m not talking documentary-style. I’m talking about pieces of individual pollen, with their own hopes, dreams and fears. In my allegory, Jumping the Wind, you meet two pieces of pollen, Pollen V-6 and Pollen K-10. The flower on which Pollen V-6 and Pollen K-10 have lived their entire lives has wilted and is dying. If they do not make a dangerous jump to a fresh flower, Cat will destroy the flower and any remaining pollen that night. All other pollen have already made the jump to presumed safety, but Pollen V-6 has been too frightened to leave. She doubts the tales that anything better lies beyond. The leader, Pollen K-10, has remained behind with her, and has to decide how long he will stay to rally her before his own safety is in jeopardy. Jumping the Wind is a story of leaving the familiar, taking risks for the promise of something better. It’s the story of facts versus hope. And a story of friendship and trust.

Here are seven (7) reasons why Jumping the Wind is a memorable (and practical!) play to produce:

New dark comedy/Dramatic monologue: "What My Fangs Are For" by Tara Meddaugh

September 29, 2020 by Tara Meddaugh in children, dark comedy, dramatic, gender neutral casting, Halloween, monologue for child actor, monologue for female acto, monologues for male actor, Monologues, mystical creatures, outdoor theater, Teen, ten-minute plays, thriller, Suspense

My new monologue, What My Fangs Are For, is the story of a werewolf child telling his mom about his first squirrel kill; it’s darkly humorous, a bit creepy, a bit dramatic. But…it’s also the story of a boy discovering a new identity, trying to make his mother proud, then worrying, with horror, that his new identity may drive her to not love him anymore.

Maybe the whole “eating a raw squirrel” part is not so relatable, but Sammy is not the only child (or adult) to have to reveal a part of their identity which they worry a loved one may not accept.

New 10-minute dark comedy, absurdist thriller (perfect for Halloween & outdoor theater): When Marshmallows Burn by Tara Meddaugh

September 24, 2020 by Tara Meddaugh in dark comedy, dramatic, gender neutral casting, Halloween, holiday, mystical creatures, outdoor theater, Plays, Teen, ten-minute plays, thriller, thriller play, socially distant theater

If you are looking for some Halloween theater, perfectly designed for outdoor staging, check out my new play, When Marshmallows Burn:

Sammy and his mom are enjoying roasting marshmallows by the fire when something very strange starts to happen. Sammy’s arms look a little bit different. His teeth look a little bit different. He has a sudden urge to kill squirrels. What else will he have an urge to kill? Is there anything his mother can do to stop him? And will his mother be able to accept his new identity?

This is a dark comedy, absurdist thriller for 2 actors (1 female, 1 male or 2 female - one role is gender neutral). It’s funny; how often does someone ask, “Can I eat that squirrel over there? You don’t have to cook it. I promise I’ll like it raw.” It’s dark; um...see squirrel line above! There is growing dread at the gravity of the situation, a full moon, suspense, blood. Yet ultimately, it is a story about discovering a new identity, and searching for, or giving, acceptance and love.

It’s an exciting piece to produce any time of year, but especially during this spooky, eerie, Halloween season—this play will fit right into a creepy lineup of shows. What’s also really cool is that this play takes place outside. Around a campfire. So if you’re looking for a socially distanced, outdoor theater experience, this is about as perfectly set up as they come! If you’re interested in performing, make sure to fill out the royalty request form and send it to me.

CLICK HERE for an excerpt to the play, When Marshmallows Burn.
CLICK BELOW for the complete digital download to the dark comedy, When Marshmallows Burn.

When Marshmallows Burn, a 10-minute dark comedy by Tara Meddaugh

$5.99

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"The Thing About Mermaids" by Tara Meddaugh: New children's comedic 1-minute monologue

September 21, 2020 by Tara Meddaugh in Children's theatre, comedic, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, gender neutral casting, children, mystical creatures, fairy tale, mermaids

Okay, so if you had to choose one mystical creature to be real, which would you choose? In my new monologue, The Thing About Mermaids, Riley encounters a real live mermaid…but is Riley excited by this discovery or does Riley think it’s a waste of a mystical creature?

Enjoy this free 45 second - 1 minute long comedic monologue for children, gender neutral casting. (For a dramatic 10-minute monologue play about mermaids, click here for Marsopa’s Tale).

Special thanks to Julian (and his mom), for inspiring this monologue!

Check out the excerpt below from, THE THING ABOUT MERMAIDS:

Weird or Creepy Plays for Halloween

October 29, 2019 by Tara Meddaugh in dark comedy, dramatic, Halloween, one-act plays, Plays, ten-minute plays, thriller, thriller play, gender neutral casting, holiday, outdoor theater, Suspense, Teen

If you’re looking for some plays with a thrilling, weird, scary or eerie nature, just in time for Halloween, check out my list of 6 GREAT PLAYS FOR HALLOWEEN! From a domineering talking bingo chip to an apartment enveloped in human hair to a line of diamonds which seems rather painful—these dark comedies, dramas and thrillers give you a fun dramatic ride!

15 Compelling Monologues About Bullying

October 01, 2018 by Tara Meddaugh in children, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, Teen, monologue collections, child monolog collection, comedy monolog collection, dramatic monolog collecti, gender neutral casting, teen monologue collection, 1-minute monologue, 30-second monologue, blind casting, comedic, dark comedy, Drama in real life, dramatic, tween

Part of the beauty and magic of theatre is that we can use drama to give voice to an emotion, challenge or experience we might not otherwise express. Below are eight monologues that center around the idea of bullying in some capacity. Whether it is covering your ears in the shower, imagining you’re a shark, or instructing teddy bears to jump out a window, these dramatic, comedic or darkly comedic monologues show different ways people cope with the effects of bullying. ..