Celebrate National Frog month with some Frog Theater!

April 24, 2021 by Tara Meddaugh in 5-minute play, allegory, children, Children's theatre, comedic, 3-minute monologue, dark comedy, dramatic, full-length plays, inclusive casting, Monologues, outdoor theater, Plays, Suspense, Teen, theater of the absurd, thriller, tween, frog, animal theater

Did you know April is National Frog Month in the US? World Frog Day is March 20, but if you missed applauding our amphibian friends that day, rest assured you still have this month to celebrate this awesome creature! Frogs play a vital part in our ecosystem, not to mention they’ve been instrumental in scientific advancements in many fields. They make up about 90% of all amphibians (there are over 6000 species of frogs!), they have adapted to do some really neat things (like survive basically frozen for months in the Arctic or carry around tadpoles in their vocal sacs!), and they are super cute and unique!

So what better way of paying tribute to our beloved frogs than by exploring some frog theater? (Okay, there are lots of other ways to pay tribute to these important cuties. Sadly, “at least 2,000 species [are] estimated to be in danger of extinction," so let’s be kind to them and their environment too. Here are ways to make your yard more habitable for frogs and additional things you can do for frogs.)

Yes, I can happily say I have a whopping (should I say “hopping?” harhar) three (3) theatrical pieces about frogs! A 10-minute dark comedy, a 5-minute children’s play, and a quirky dark comedy/dramatic monologue.

"Pebbles and Tails," a new Short children's play

April 02, 2021 by Tara Meddaugh in 5-minute play, allegory, blind casting, children, Children's theatre, comedic, dramatic, Education, gender neutral casting, inclusive casting, outdoor theater, Plays, pre-teen, Reader's Theater, Teen, ten-minute plays, tween

How many of us have ever felt our friends were moving on without us? Or worried that we’d be left out because we were somehow different from those around us? Pebbles and Tails is my new children’s play about frogs growing up, but it’s also a story of acceptance, kindness, bravery and friendship.

Scoot, Wiggles and Crunch have been friends since they hatched from eggs in the pond, hiding from predators together, protecting each other, and playing “Kick Pebble” together. But when Scoot realizes that Wiggles and Crunch have developed into froglets, while Scoot remains a tadpole, Scoot feels left behind. Is their friendship strong enough to endure their changing paths?

Pebbles and Tails is a comedic/dramatic children’s play for 3 actors of any gender. It runs around 5-8 minutes in length. It’s perfect for child actors for performances, workshops or Reader’s Theater in the classroom. It’s great for teen competitions and fun for any age actors to perform for young audiences. It’s also great material for animation projects. And I’m releasing it during National Frog Month in the US!

"Funeral for a Crayfish" - new 5-minute children's play

March 23, 2021 by Tara Meddaugh in 5-minute play, blind casting, children, Children's theatre, comedic, gender neutral casting, inclusive casting, Plays, pre-teen, Reader's Theater, tween

Meet Ari and Quinn. They’re elementary school students, thrilled their current Science Unit allows each child to study their own classroom crayfish! How cool, right? Well, not so cool when Billy accepts a dare which leads to the untimely demise of someone’s crayfish! The unlucky crayfish had a maroon marker dot on its back. These uniquely colored permanent marker dots were supposed to be a way the kids could tell their crayfish apart. But somehow, Juliet used the same maroon color as Ari! Ugh! Now good friends, Ari and Quinn, need to uncover clues which hopefully will determine the crayfish identity. But will their detective work be enough to solve the mystery?

Funeral for a Crayfish is a 5-minute comedic children’s play for 2 actors with flexible casting (any gender). It’s funny, it’s fun to read and perform, and it explores friends thoughtfully working together to solve a problem. It’s ideal to read in the classroom for Reader’s Theater, and also great for workshops, performances, competitions and acting practice.

Funeral for a Crayfish includes a page of fun facts about crayfish. Like—did you know crayfish live 20-30 years? Or that there are recipes for, gulp, Crawfish Cheesecake?

Enjoy an excerpt from Funeral for a Crayfish or get the complete digital play below.

"Staring at The Sloth" by Tara Meddaugh: New comedic children's play

March 09, 2021 by Tara Meddaugh in 5-minute play, blind casting, children, Children's theatre, comedic, dramatic, Education, gender neutral casting, inclusive casting, outdoor theater, Plays, pre-teen, Reader's Theater, Teen, tween

Have you ever felt someone was judging you, teasing you, or making fun of you when in fact, maybe they were just, I don’t know, hungry? Sometimes we can see our own insecurities mirrored back in other people’s (or sloths’!) eyes, when they’re not actually there. Self-acceptance and being confident in our own value—independent of what we assume others think about us—are such important qualities to nurture in children, teens, and yup, even adults. It’s one of those bright shimmering keys to happiness. :)

Staring at The Sloth is a comedic children’s play that runs about 5 minutes long. It’s cute, it’s funny, it’s sweet, and come on—SLOTHS! But at its core, it’s a story about a child, Riley, who is insecure, has been teased, and needs to shift perception to assume the best, instead of the worst, out of someone else. Luckily, Riley has an awesome friend who can help ground their perspective:

The sloth at the zoo keeps staring at Riley. Is it Riley’s spiky hair? Long nose? Or chocolate milk stain? Can Jaime convince Riley that the sloth is not making fun, but maybe, just maybe, thinks Riley is cool?

Meet Riley and Jaime in this excerpt from Staring at The Sloth. This short comedy is great for adults or teens who want to play children and perform for young audiences, or for children to try their hand at acting in a manageable play themselves. It’s also ideal classroom Reader’s Theater material for those practicing reading out loud, and for discussion about self-acceptance and being kind.

The play requires 2 actors, and gender casting is flexible/inclusive. It can work for Zoom, Outdoor Theater, competitions, classrooms or the traditional stage. Even in five minutes, there’s lots of room for creativity for actors, directors and designers. Enjoy an excerpt from new 5-minute play, Staring at The Sloth, or get the complete play below:

Snowman Versus Sun by Tara Meddaugh: New Children's Comedic monologue

February 10, 2021 by Tara Meddaugh in 1-minute monologue, blind casting, children, Children's theatre, comedic, gender neutral casting, inclusive casting, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, outdoor theater, winter, Christmas

Here near New York City, we have had quite a snowy February! When we received half an inch of snow at the end of January, my son and I spent almost an hour rolling up shreds of snow to create a small snowboy. I think he was half leaves and mulch, but hey; we had a little snow and were going to enjoy it! Of course, if we’d only waited a few days…we would have found ourselves in a true Winter Wonderland! A Nor’easter gifted us a glorious 2 feet of perfect packing snow! Needless to say, making a much larger snowman after that storm took a whole of five minutes. Not even a week later, we found ourselves receiving at least another foot of snow, and there’s more to come this week.

So—our family has made some sort of large snow-army in our backyard, a snow Bill Cipher, a snow-slide and lots of mini snowmen. Going on walks in the neighborhood is a treat, as we get to take in all the awesome snow creations people have made around us (we’ve even created “Snowman Certificates” to leave on people’s porches). So yes, we have snow on our brains! And…since my son has been responding to fiction writing-prompts for his schoolwork, he gave me a writing prompt himself which has resulted in this wintery children’s monologue, Snowman Versus Sun. I also have to give him credit as he designed the monologue cover himself (his at-home-digital-design class with Mom: Canva!)

As the title indicates, the monologue is about that age-old problem: snowman v. sun. In this 1-minute free comedic monologue great for young kids, Titus takes on the sun directly himself. Do you think the sun will listen to him? He’s got a pretty big request…

Clippers by Tara Meddaugh: A dramatic monologue from the one-act play, Seventeen Stitches

January 21, 2021 by Tara Meddaugh in blind casting, dark comedy, dramatic, gender neutral casting, inclusive casting, monologue for female acto, Monologues, monologues for male actor, one-act plays, Teen, Suspense, thriller, Halloween

If you’re looking for a 2-minute dramatic monologue from a play, check out my newly released monologue, Clippers, from my one-act play, Seventeen Stitches. Clippers is appropriate for tweens, teens and young adults; it is suitable for actors of any gender. In this monologue, Peter struggles to make sense of his father’s actions and intentions. When Peter was attacked by a bully who wanted his bike, Peter’s father rescues his son, but lets the bully take the precious bike. Peter doesn’t understand why his loving father would not punish the bully, and from that moment on, feels abandoned by his father.

The Meaning of Plants by Tara Meddaugh: A Dramatic monologue from the play, Brush Them Fleas

January 14, 2021 by Tara Meddaugh in 1-minute monologue, comedic, dramatic, monologue for female acto, Monologues, monologues for male actor, inclusive casting, Teen, full-length plays

If you’re looking for a dramatic (slightly comedic) monologue from a full-length play, check out my 2-minute or 1-minute version of the monologue, The Meaning of Plants. In it, Stacy expresses her disdain for pretty flowers which hold meaning from the giver (like, “I love you,” “I’m sorry” or “you died”). She prefers the brightness and freedom of dandelions, but most of all, she loves potatoes. Their existence is hidden below the common world, but while humble, is very important.

Stacy is not entirely unlike the humble, but important potato, lying undiscovered. She is a hard working employee at a dog grooming salon. She’s awkward, a bit uncomfortable in her own skin. She endures harassment and lies from another employee, but has found Mr. Boland, the client she speaks to about plants, to be an unassuming, gentle soul. Through the play, Brush Them Fleas, Stacy struggles against accusations and lies, and ultimately finds her own voice and strength. Click here to read the full-length absurdist comedy, Brush Them Fleas or an excerpt from the play.

This monologue has a 1-minute version here (which ends before Stacy speaks about potatoes), as well as a longer 2-minute version here, including her musings on the potato.

Learn the brief description of the play, Brush Them Fleas, from which this monologue comes, then enjoy and excerpt below from the monologue, The Meaning of Plants.

Eiffel Tower Keychain by Tara Meddaugh: New dramatic children's monologue

January 12, 2021 by Tara Meddaugh in 30-second monologue, blind casting, children, dramatic, gender neutral casting, inclusive casting, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, tween

Cruelty continues to be a theme I explore in my work for adults, as well as for children and teens. It’s a theme that will always be examined in many mediums by many people—because, sadly, it happens from cradle to grave—from those with the least power to (quite dangerously) those with the most power.

While my writing often explores cruelty, more importantly, it explores those who experience cruelty and their journey to gain strength. This happens in outwardly large ways and it happens in seemingly small ways. Giving voice to those struggling against oppressors, whether this be from leaders, “frenemies,” manipulating criminals, or schoolyard bullies, is important because these voices are valuable, precious, and inspiring. They are the ones we need to hear.

In my short monologue, Eiffel Tower Keychain, Lindsey gains strength against her classroom bully. Lindsey’s father, who has moved and no longer lives with her, gave her a glass Eiffel Tower keychain, which now a bully has grabbed from her. Lindsey pleads with the taunting bully to give her back the keychain. At first she is meek, then she demands it back with the strength of deserved self-worth. This is a short dramatic monologue, only around 30 seconds in length, appropriate for children or tweens, gender-neutral.

Butterfly in the Tomato Plant by Tara Meddaugh: New 30-second children's dramatic monologue

January 08, 2021 by Tara Meddaugh in children, blind casting, dramatic, gender neutral casting, inclusive casting, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, pre-teen, tween, 30-second monologue, outdoor theater

If you’re looking for a short children’s monologue with a dramatic bent, consider my monologue, Butterfly in the Tomato Plant. It is a challenge to perform (or write) a monologue which shows arc and range in 30 seconds but rewarding to explore. In Butterfly in the Tomato Plant, Nicole observes an injured butterfly, bullied by the same children who had bullied her the previous day (they ripped her backpack and now they have ripped the butterfly’s wings). She reflects on her own desire to have wings and escape bullies, but then realizes the butterfly’s wings did not end up saving it. She decides to take the butterfly home to care for it in a windowsill plant she has been nurturing herself.

20 + Christmas Monologues

November 13, 2020 by Tara Meddaugh in 1-minute monologue, 5-minute play, blind casting, child monolog collection, children, Children's theatre, Christmas, comedic, comedy monolog collection, dark comedy, dramatic, dramatic monolog collecti, gender neutral casting, holiday, inclusive casting, monologue collections, monologue for child actor, monologue by child, monologue for female acto, monologue written by chil, Monologues, monologues for male actor, pre-teen, Teen, teen monologue collection, tween

Holiday lights and decorations are going up EARLY this year! While live productions in theater are rare right now (what a surreal/hard thing to say…), many performers are turning to monologues as they gear up for streamed shows, classroom performances, or socially distanced live theater. Monologue-based performances allow actors to rehearse on their own, and lend themselves easily to a Zoom-style platform. Whether you’re able to manage covid-precautioned in-person theater or are using a video service, holiday monologues can be a nice way to keep festive theater on the mind.

Check out these ten (10) Christmas monologues below, plus a packet of additional Christmas monologues for children, extracted from my one-act play, Christmas Superpowers and Believing in Blitzen. These monologues range in length from 30 seconds to 5 minutes.

Christmas Kale by Tara Meddaugh: a 1-minute children's comedic monologue

November 10, 2020 by Tara Meddaugh in blind casting, children, Children's theatre, Christmas, comedic, dramatic, gender neutral casting, holiday, inclusive casting, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, pre-teen, tween, 1-minute monologue

It’s Christmas morning and Sam has a problem. He is outraged that Santa has, yet again, given him oranges in his stocking, despite his previous complaints that he doesn’t like them. Since Santa has not heeded his requests, Sam devises a simple plan that will teach Santa a lesson.

Christmas Kale is a one-minute comedic children’s monologue, for an inclusive cast (not gender specific). It’s suitable for children or pre-teens.

Christmas Kale is from the one-act play, Christmas Superpowers and Believing in Blitzen.

Children/Teen Monologue: Second-Hand Dirt by Tara Meddaugh

October 14, 2020 by Tara Meddaugh in blind casting, children, Children's theatre, comedic, dramatic, gender neutral casting, inclusive casting, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, Teen, ten-minute plays, allegory, one-act plays, outdoor theater

In Sharing Soil (a 10-minute play within my longer vignette-style piece, Movements of the Wind), Carrot and Potato risk safety and rejection from their own garden cultures when they embark on a new friendship in the face of soil prejudices.

Carrot’s monologue, Second-Hand Dirt, from Sharing Soil, shows a moment of how hurt can be masked with scapegoating. Carrot has just been bullied by other carrots, even having her carrot tip bitten off by them. When Potato finds her crying, Carrot lashes out in misplaced anger toward the quizzical young vegetable. Potato does not stand for this, and Carrot shares how her attempts to be kind to other carrots have not been reciprocated, leading her to become “mean.”

Newly Released 10-Minute Play for 2 Actors: Waiting For Wind by Tara Meddaugh

October 06, 2020 by Tara Meddaugh in comedic, dramatic, gender neutral casting, love, outdoor theater, one-act plays, Plays, Playwriting, romance, Teen, ten-minute plays, inclusive casting, blind casting

Two tulips’ lives change for the better when they meet each other at high sun. They have a connection and it is clear they were meant for each other. Yet can they overcome their fears about the future, and lift each other up, despite the stagnant air? (CLICK HERE FOR THE PLAY)

Waiting for Wind is a 2-person dramatic/comedic play with a running time of approximately 10 minutes. It’s set in a flower garden and has flexible inclusive/blind casting (the characters are flowers!). It’s great for festivals, performances, outdoor theater, duo interpretation forensics competitions, classroom or theater study, workshops, and themed productions.

Christmas Plays: talking reindeer, mistletoe melancholy, Christmas tree blood and more!

December 03, 2018 by Tara Meddaugh in children, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, monologue collections, 2-minute monologue, 3-minute monologue, 30-second monologue, 5-minute monologue, 5-minute play, child monolog collection, Children's theatre, Christmas, comedic, comedy monolog collection, dramatic monolog collecti, inclusive casting, one-act plays, Plays, pre-teen, socially distant theater, Teen, teen monologue collection, tween, virtual theater, play collection

As we sled into December, first, a very warm Happy Hannukah or Happy Chanukah (or use one of the other 14 spellings!)! And second, the Christmas Theater season is upon us! Is there a classic holiday play you see every year? Or a new Christmas show you are looking forward to this season? For me, I recently enjoyed A Charlie Brown Christmas: Live On Stage followed by one of those crazy milkshakes shared by 4 of us (check out the pic!)! Nothing says Christmas like tons of sweets, right (Okay, yes, lots of things say Christmas other than sweets! But one must exert some sugar will power around the holidays!)? Next weekend, I’m looking forward to nestling into an historic Dutch church in legendary Sleepy Hollow to watch a one-man show of Charles Dickens’s A Christmas Carol. The following weekend, I’ll enjoy a one-hour version of The Nutcracker. I love to suppor theater year-round, but there is something special about seeing a warm holiday show in December!

As much as I love seeing Christmas Drama, I also love writing it! So check out some of my Christmas theater below (a one-act play, a 5-minute one-man show, and several monologues for kids to adults)! Click on the links to read excerpts from all of the holiday monologues or holiday plays or to get the full versions. Enjoy the holiday season!…