Mabel and the Talking Cat: A new one-act quirky comedy/drama

March 15, 2023 by Tara Meddaugh in absurdist theater, all female cast, animal theater, bechdel test, comedic, dark comedy, dramatic, fairy tale, gender neutral casting, inclusive casting, mystical creatures, one-act plays, outdoor theater, Plays, play for mature actors, theater of the absurd

“If I had opposable thumbs like you, I should rule the land!” ~Patches, the Talking Cat

How far are we willing to go to get the things that we want? How can doing a good thing enable a bad thing? How much would you sacrifice for a loved one? How long do you hold onto a far-fetched hope? How do you connect with those in the dark once you’ve been brought into a new light? Does guilt ever go away?

For a one-act play, Mabel and the Talking Cat sure brings up a lot of questions! On top of all that, we have a bit of magic, a witch in the neighborhood, an ogre, a missing husband and a talking cat! And you won’t find out until the end of the play which well-known fairy tale this play launches into…

Mabel and the Talking Cat is the story of a lonely baker, Mabel, who finally has the opportunity to adopt a child of her own. But her best friend, Patches, a talking cat, has grave hesitations about the questionable method she’s using to secure this precious child…

Plays About Sisters

February 25, 2023 by Tara Meddaugh in 10-minute play, all female cast, animal theater, bechdel test, children, comedic, dramatic, dark comedy, fairy tale, full-length plays, mature actors, Monologues, one-act plays, outdoor theater, play collection, play for mature actors, Plays, pre-teen, Teen, ten-minute plays, theater of the absurd, tween, women, women in the arts

Check out nine (9) plays plus a trio of monologues all featuring the sister relationship! From rabbits on the run to sisters contemplating marriage in the 1700s to adult sisters with a foster baby—and more—these 9 plays explore the challenges and connections of this unique sibling relationship. There are plays here for children, teens, young adults and mature adults, ranging from absurdist to dark comedies to dramas.

25 Plays That Pass the Bechdel Test

January 28, 2023 by Tara Meddaugh in 10-minute play, 5-minute play, absurdist theater, all female cast, animal theater, allegory, blind casting, Children's theatre, comedic, dark comedy, dramatic, fairy tale, full-length plays, gender neutral casting, inclusive casting, holiday, one-act plays, outdoor theater, Plays, pre-teen, Teen, theater of the absurd, ten-minute plays, thriller play, tween, women, women in the arts, bechdel test, play collection

The Bechdel Test or Bechdel-Wallace Test, is one measurement of how well women are represented in film, and has carried over into plays and other literary work. It was first written by cartoonist, Alison Bechdel and she credits her friend, Liz Wallace, for the test. The test is simple. Your writing passes the Bechdel-Wallace Test if you can answer YES to the following 3 questions:

Does your writing have at least 2 women in it?
Do the 2 women talk to each other?
Do the women talk to each other about something other than men?

Monologue from "When Marshmallows Burn" Published in The Best Men's Stage Monologues Anthology

January 25, 2023 by Tara Meddaugh in 1-minute monologue, absurdist theater, blind casting, comedic, dark comedy, dramatic, gender neutral casting, inclusive casting, monologue for child actor, monologue for female acto, monologues for male actor, Monologues, mystical creatures, one-act plays, outdoor theater, Plays, Publications, Teen, Suspense, ten-minute plays, theater of the absurd, thriller, tween

I’m honored that my monologue from When Marshmallows Burn has been published in Smith & Kraus’s anthology, The Best Men’s Stage Monologues 2022, edited by Debbie Lamedman. Did you know Smith & Kraus has been publishing anthologies of the best men’s and women’s stage monologues for over 30 years? Very cool! In my dark comedy/drama:

Sammy and his mom are enjoying roasting marshmallows over the fire under the full moon when something very strange starts to happen. Sammy’s arms look a little furry. His teeth look a lot like fangs. And he has a sudden urge to kill squirrels—and eat them raw. What (or who) else will he have an urge to kill? Is there anything his mother can do to stop him, or can she ultimately accept and love her wereson? Read the whole play here.

Missy Flower and Buchanan Highhouse in When Marshmallows Burn, directed by Nate Flower. Photography by @designbyraegan.

This is a play about a werewolf, yes. But moreover, it’s a play about a mom and her son. I recently read Celeste Ng’s new novel Our Missing Hearts and in it, a central mother character says, “But in the end every story I want to tell you is the same. Once upon a time, there was a boy. Once upon a time there was a mother. Once upon a time, there was a boy, and his mother loved him very much.”

This hits me hard.

And when I was telling my 2 sons basically the whole story of Our Missing Hearts, you can bet I was choking up relaying this part of the book (and then hugging them!).

When Marshmallows Burn is not only a dark comedy about a boy becoming a werewolf. It’s a story about familial acceptance and the love of a mom and a son, in the face of changing identity.

The monologue selected for the anthology (What My Fangs are For) takes place the moment Sammy has returned from his first kill in the woods. He is proud he found his late-night snack without troubling his mom for help. As he relays killing the squirrel to her, he realizes his mother is becoming increasingly scared of him and his pride turns to fear that she will no longer love him as a werewolf.

Sammy’s monologue runs about 1 minute long and is great for any gender actor. It gives the performer a significant journey from being proud of something new and exciting to being deeply worried and terrified to lose what matters most. It also lets an actor showcase both dark comedy as well as dramatic skills.

I was so lucky to have an outstanding team bring this play to life for the first time: Missy Flower as the mom, Buchanan Highhouse as the son, and Nate Flower as the director (produced by Free Space Theater, in collaboration with the Harrison Public Library). We performed the play around Halloween, at night in the great outdoors, and this was an absolute amazing backdrop for the play, which takes place at night, in the great outdoors…

Along with Sammy’s monologue, this anthology includes dozens of other wonderful monologues. As Ms. Lademan writes in her foreword, “These pieces present great acting challenges, and actors will have the pleasure of sinking their teeth into this sublime material while continuing to perfect their craft in their online or in-person workshops.”

Click here to get The Best Men’s Stage Monologues on amazon. You can also get Sammy’s monologue, What My Fangs are For, by itself here. Additionally, you can read an excerpt here of When Marshmallows Burn, or click below for the complete digital copy of that play:

When Marshmallows Burn, a 10-minute dark comedy by Tara Meddaugh

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Pitfalls and Treasures to be published in Smith & Kraus's "The Best Ten-Minute Plays"

January 04, 2022 by Tara Meddaugh in absurdist theater, animal theater, allegory, blind casting, comedic, dark comedy, dramatic, gender neutral casting, inclusive casting, one-act plays, outdoor theater, Plays, Publications, socially distant theater, Teen, ten-minute plays, theater of the absurd

I’m honored that my dark comedy play, PITFALLS AND TREASURES, has been selected to be published by Smith & Kraus in the anthology, “The Best Ten-Minute Plays 2022” (editor Debbie Lamedman).

In the 2-person play, Mary and Andrew are lonely and troubled parking lot seagulls, each ostracized by their former flocks. When Mary happens upon the injured Andrew, she embarks on the desperate challenge to remove twine wrapped around his leg. This play is about, well, yes, seagulls. And being seagulls, in a parking lot, with a numb leg and no flock, the stakes are high. But it’s also about love and loss, hope and failure, trust and apprehension, desperation and resignation. And of course, a seagull and a french fry! It’s a bit dark, a bit funny and a bit sweet.

Huge thanks to the super talented original team: actors Missy Flower and Rob McEvily, director Mel Nocera, and all those at Westchester Collaborative Theater for its first production.

The play will be published in the anthology toward the end of the year, but you can read an excerpt of Pitfalls and Treasures here or click below for a complete digital copy of the play.

Over 15 Great Plays for Outdoor Theater

August 31, 2021 by Tara Meddaugh in 5-minute play, absurdist theater, allegory, animal theater, Children's theatre, comedic, dark comedy, dramatic, fairy tale, family, frog, monologue for female acto, mystical creatures, outdoor theater, one-act plays, Reader's Theater, socially distant theater, ten-minute plays, theater of the absurd, thriller, Plays, play collection

Outdoor theater has always evoked a unique energy to its cast and audience, and throughout the covid-19 pandemic, more people have been taking advantage of staging and enjoying theater outside. The abundance of fresh air and space coupled with the natural environment can be appealing and invigorating. So if you’re looking to stage theater outside, consider these 10-minute and one-act comedies, dramas, and dark comedies for adults, teens and children. From a garden to a campfire, a beanstalk to a forest, a zoo to a parking lot, all of these plays are naturally set outdoors. You don’t need to force a kitchen sink into your local park. The world of these play is already outside. Enjoy!

Pitfalls and Treasures: A new 10-minute comedy/drama for 2 actors

August 10, 2021 by Tara Meddaugh in absurdist theater, allegory, animal theater, comedic, Community, dark comedy, dramatic, one-act plays, outdoor theater, Plays, socially distant theater, Teen, ten-minute plays, theater of the absurd, theatre companies

Does the screech of a seagull symbolize Summer for anyone else here? What is a beach day without a seagull trying to snatch your french fry, right? Well, if you’re looking for a seagull perspective - and if you’re looking for a 2-person dark comedy/drama/comedy that can work for outdoor theater - check out my new 10-minute play, Pitfalls and Treasures. In it, Mary and Andrew are lonely and troubled seagulls, each ostracized by their former flocks. When Mary embarks on the desperate challenge of removing twine wrapped around Andrew’s leg, they both must decide how much to trust each other in the hope of finding a better life. Check out an excerpt or the complete play here.

This play is about, well, yes, seagulls. And being seagulls, in a parking lot, with a numb leg and no flock, the stakes are high. But it’s also about love and loss, hope and failure, trust and apprehension, desperation and resignation. And yes--also a seagull and a fry. It’s a bit dark, a bit funny and a bit sweet.

18 Mom Monologues

May 07, 2021 by Tara Meddaugh in 1-minute monologue, 2-minute monologue, 3-minute monologue, 5-minute play, absurdist theater, children, Children's theatre, comedic, comedy monolog collection, dark comedy, dramatic monolog collecti, dramatic, gender neutral casting, inclusive casting, monologue collections, monologue by child, monologue for child actor, monologue for female acto, monologue written by chil, Monologues, monologues for male actor, pre-teen, Teen, teen monologue collection, theater of the absurd, tween

As we honor our mothers for this season (and every day!), enjoy over fifteen (15) “mom monologues.” These monologues are either specifically about moms, spoken to moms, or spoken by moms. From a werewolf’s conflicting feelings about his mother to children asking their mom for a pet skunk, from a mother struggling with her own mortality to a woman adopting a child in her 50s, these monologues range from comedic to absurd to dramatic. Enjoy these children, teen and adult monologues all centering around mother relationships!

Celebrate National Frog month with some Frog Theater!

April 24, 2021 by Tara Meddaugh in 5-minute play, allegory, children, Children's theatre, comedic, 3-minute monologue, dark comedy, dramatic, full-length plays, inclusive casting, Monologues, outdoor theater, Plays, Suspense, Teen, theater of the absurd, thriller, tween, frog, animal theater

Did you know April is National Frog Month in the US? World Frog Day is March 20, but if you missed applauding our amphibian friends that day, rest assured you still have this month to celebrate this awesome creature! Frogs play a vital part in our ecosystem, not to mention they’ve been instrumental in scientific advancements in many fields. They make up about 90% of all amphibians (there are over 6000 species of frogs!), they have adapted to do some really neat things (like survive basically frozen for months in the Arctic or carry around tadpoles in their vocal sacs!), and they are super cute and unique!

So what better way of paying tribute to our beloved frogs than by exploring some frog theater? (Okay, there are lots of other ways to pay tribute to these important cuties. Sadly, “at least 2,000 species [are] estimated to be in danger of extinction," so let’s be kind to them and their environment too. Here are ways to make your yard more habitable for frogs and additional things you can do for frogs.)

Yes, I can happily say I have a whopping (should I say “hopping?” harhar) three (3) theatrical pieces about frogs! A 10-minute dark comedy, a 5-minute children’s play, and a quirky dark comedy/dramatic monologue.

Frog Band-Aid: New dark comedy monologue

April 14, 2021 by Tara Meddaugh in absurdist theater, comedic, dark comedy, dramatic, monologue for female acto, Monologues, outdoor theater, Suspense, Teen, theater of the absurd, thriller

What do you do when you’re confronted with a jealous force in your life who demands that you abandon your new and precious human connection? And what do you do when this jealous force happens to be…um…a bingo chip?

Yeeeess…

This is part of the story of my full-length dark comedy/absurdist thriller, Free Space. Amelia views hosting her own Bingo Night as a way to escape her lonely life. Not only does she have the excitement of planning this magical night, but planning this night has led to a growing bond between her and Ricky, a kind-hearted boy who works at the local cannery. But as Amelia starts to envision a brighter future, a talking Bingo Chip begins calling the shots. Amelia is losing control of her own Game—and relationship with Ricky.

Frog Band-Aid is a monologue from Free Space. Ricky has just given Amelia a private tour of the cannery he works at. During the tour, the two joyfully plan the event, and discuss visiting a pet store together. After Amelia leaves the cannery, she walks home, speaking to the mysterious Bingo Chip in her pocket which has become increasingly demanding.

This dark comedy/dramatic monologue runs around 3 minutes and is appropriate for an older teen through adult actor. Enjoy the excerpt below and check out Free Space to learn more about Amelia and her story.

Alfred and Lily and Their Marvelous Tank in the Forest: Publication in Best New Ten-Minute Plays/2020

February 12, 2021 by Tara Meddaugh in absurdist theater, allegory, comedic, dark comedy, dramatic, love, Plays, outdoor theater, Publications, Suspense, Teen, ten-minute plays, theater of the absurd

I’m honored my play, Alfred and Lily and Their Marvelous Tank in the Forest, was selected as one of 30 plays in “The Best New Ten-Minute Plays/2020” published by The Applause Acting Series, edited by Lawrence Harbison. This absurdist dark comedy is about reality manipulation, propaganda, what to accept as truth, or question and fight. It's also about love and sacrifice, and yes, it's about frogs. In a tank. In a forest. All this in 10 minutes!

A high-energy, high-stakes short play with meaty roles for 2 actors and lots of room for creativity for the production team, Alfred and Lily and Their Marvelous Tank in the Forest is a fun play to sink your teeth into (much like Alfred wants to do to Lily’s leg…). Thanks to my original amazing cast at Westchester Collaborative Theater, featuring Missy Flower, Buchanan Highhouse, directed by Nathan Flower.

You can check out an excerpt of Alfred and Lily, get the full play here, or check out the The Best New Ten-Minute Plays 2020.

11 Short Plays About Love

February 09, 2021 by Tara Meddaugh in 5-minute play, absurdist theater, dark comedy, dramatic, love, mermaids, Monologues, mystical creatures, one-act plays, outdoor theater, Plays, romance, Teen, Suspense, ten-minute plays, theater of the absurd, thriller, valentine's day

As Valentine’s Day is rounding the corner, I’ve compiled a collection of eleven (11) short plays, all centering around the idea of love, from various angles. Whether marrying out of spite, longing for romance in another world, or sacrificing for your life partner, these plays showcase high stakes drama about love. The roles and worlds created in these plays are unique and memorable, making for fun theatrical challenges for actors, directors, designers and production teams. Enjoy!

9 Memorable Monologues about Scorned Love: Monologue Compilation Packet

January 31, 2021 by Tara Meddaugh in 1-minute monologue, 2-minute monologue, absurdist theater, comedic, comedy monolog collection, dark comedy, dramatic, dramatic monolog collecti, holiday, love, monologue collections, monologue for female acto, Monologues, monologues for male actor, Teen, teen monologue collection, theater of the absurd, valentine's day

Some people are lucky enough to hold onto beautiful romantic love all their adult lives, but if you’re looking for a dramatic piece more on the “sadder but wiser” side of love, check out these nine (9) monologues about “scorned love.” That’s right—all of these characters have had their loved one betray them, leave them or never love them back to begin with. ☹ Of course, their responses to a love lost are varied: we have hopeful or pleading, to angry or downright criminal. But in each case, these monologues make for a fun acting challenge. Whether you’re playing a man bleeding out at a hospital, a betrayed woman by a chopped down tree, or a teen whose truck-jumping-stunt did not quite win him the love of his dreams, enjoy these nine unique monologues about “scorned love!”

You can check out each monologue individually below, or you can purchase a monologue compilation packet containing all nine (9) unique, compelling and memorable monologues about “scorned love” (a great value at only $9 for all 9 monologues). Monologues range in length from 1 minute to 5 minutes, or more, depending on performance, and are suitable for adult, or older teen, actors.

Click “READ MORE” below for the 9 monologues about scorned love.

Fingernail Heart by Tara Meddaugh: a dark comedy monologue about love

January 29, 2021 by Tara Meddaugh in comedic, dark comedy, dramatic, love, monologue for female acto, Monologues, outdoor theater, romance, Teen, valentine's day, 2-minute monologue, absurdist theater, theater of the absurd

Well, folks. It’s that time of year again! With just over 2 weeks away from Valentine’s Day, I’ll be spending the next few blog posts giving you some loved-based theater! (Can you hear the “love” sound effects in your mind? Birds? “Aws?” A glorious harpsichord? ) No guarantee it will be requited love, however. In fact, many of my “love-based” monologues tend to lean more on the side of yearning love, desperate love, unhappy love, a little…weird love… Which brings me to…

My brand new monologue, Fingernail Heart. Um, yes. You read that right. Fingernail heart. What the…??? Okay, I can explain. Well… Maybe it’s better if I let our protagonist, Emily (below), explain. After all, she’s put in the hard work to craft this fingernail heart. But I will say, if you’re a fan of Ferret Envy, then I think you’ll enjoy the quirky desperation of Fingernail Heart. Emily is confronting her ex-boyfriend (who clearly does NOT want to see her), and offering, yes, that’s right, her gift of a fingernail heart. This monologue is a blast for actors who are okay with slightly off-beat roles, because you can really lean into the absurdity, the humor, but at the same time, the gravity, emotional instability and darkness—all with that underlying feeling of “she is reaching a breaking point…she is reaching a breaking point…”. You’ll enjoy finding all those delightful moments to shift the tone, the tactic, while keeping the same basic intention (“will girl get boy?”).

This monologue runs around 1.5-2 minutes, and while written for a female character, as with most of my monologues, it can be suitable for inclusive casting, as long as the actor connects with it.

Enjoy an excerpt below!…