Mabel and the Talking Cat: A new one-act quirky comedy/drama

“If I had opposable thumbs like you, I should rule the land!” ~Patches, the Talking Cat

How far are we willing to go to get the things that we want? How can doing a good thing enable a bad thing? How much would you sacrifice for a loved one? How long do you hold onto a far-fetched hope? How do you connect with those in the dark once you’ve been brought into a new light? Does guilt ever go away?

For a one-act play, Mabel and the Talking Cat sure brings up a lot of questions! On top of all that, we have a bit of magic, a witch in the neighborhood, an ogre, a missing husband and a talking cat! And you won’t find out until the end of the play which well-known fairy tale this play launches into…

Mabel and the Talking Cat is the story of a lonely baker, Mabel, who finally has the opportunity to adopt a child of her own. But her best friend, Patches, a talking cat, has grave hesitations about the questionable method she’s using to secure this precious child…

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"The Prettiest Duckling" - To Be Published by YouthPLAYS

Happy to share that YouthPLAYS will be publishing my one-act play, The Prettiest Duckling. In this dark comedy, two “mean-girl style” ducklings plot the ousting of their gray-feathered sibling… But they’re always—only—always, thinking of her. Because they, you know, “love her so so much.”

Right?

This play was first performed as part of the production, When Fairy Tales Falter. Buchanan Highhouse and Jessica Caputo fabulously brought to life Gorgeous and Cutesy (yes, those are the names of the ducklings! What do you think Mama will name the gray-feathered duckling?), Nate Flower directed, and Georgia Evans did the costume design.

This play was a TON of fun to write. It went through lots of revisions and tweaks to really land it all (thank you, Kevin Christopher Snipes, Gabe Davis, Mike, Dylan, Luke, Nate, and team!). Can’t wait to see it take life beyond my local world soon. Stay tuned for more information when it’s published. But for now, I’l leave you with these empathetic words from Gorgeous:

“Being gorgeous is also, like, kind of a burden…I wouldn’t wish it on anyone.”

Photos by JCP Images

Two One-Act/Ten-Minute Plays About Sisters - for Youth and Mature Adult Actors

I’ve written about sister-relationships before (in The Bronze Lining and The Moon River Raft to name a few), but the relationship is especially unique in my two Ruby and Millie plays. These plays both feature the same sisters, but at two very different points in their lives.

In Ruby and Millie and the Dying Cucumbers, Ruby is a child around 9 years old and her older sister, Millie, is around 16. It’s 1943 and their father is a Prisoner of War in Europe. He has charged Ruby to lead her apartment building’s rooftop Victory Garden on the homefront in White Plains, NY. With their mother working long hours and their father gone, teenage Millie carries weighty responsibilities of her own. In the play, Millie has been searching for her little sister at night, and finally finds her on the rooftop. While Millie tries to convince Ruby to come inside to bed, Ruby discovers some of her vegetables are dying, and fears this is a harbinger of bad news for her father and the war.

In Ruby and Millie and The Old Chemical Plant, we fast forward 50+ years. The war is a distant memory while Seinfeld blares on the tv at night. Ruby has had a successful career but never married; Millie is a widow with children living all over the globe. The sisters live in the same senior apartments, and are tending to a fig tree in their 1990s community garden together. Ruby and Millie have always been close. Neither one can imagine life without the other by her side. But now they struggle with decisions that may, for the first time in 60+ years, take them very far away from each other.

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