It’s so much fun to see wildly different interpretations of the same monologue, right? Yet within all the differences, it’s telling to find the commonalities that run throughout. Unknown Playwrights Monologue Monday series does a great job of showcasing new monologues, and then compiling an A-Z video list of actors performing the piece. You can see three videos below of actors performing my monologue, March in Line, just to show how very different they can be!Read More
Okay, so I was beyond elated when I first read Ionesco’s La Cantatrice Chauve (the Bald Soprano) in 9th grade French Class, as it confirmed a name for the style of theater my teenage self had already been unknowingly writing in: Theater of the Absurd. It was weird, it was dark, it was funny. I loved the feeling of laughing then cringing, cringing then laughing, laughing while cringing. After I read through Ionesco at my school library, my teacher suggested I try Albee, and these two writers (perhaps along with the tv show, Northern Exposure) were important influences in my writing.
”Sometimes you see Ionesco‘s name thrown around with Theatre of the Absurd. Same deal with Albee. Nah, Meddaugh is where it’s at. Picture this: You are SO jealous of your friend’s ferret that you (probably) killed said ferret because…you want to be your friend’s ferret!!!! This is a fun, funny goofed-up piece of theatrical brilliance.”
If you like dark comedies (cringe and laugh, laugh and cringe—then pause to think seriously for a minute…), check out my new 10-minute play, Alfred and Lily and Their Marvelous Tank in the Forest. Yes, it has two frogs in it who jump around, chew on sticks, and get jealous of pond creatures with purple scarves—but this allegory doesn’t only provide fun entertainment; it’s thought provoking and generates great discussion. Does a horror have to affect you personally for you to notice something is wrong? How long will you accept happy lies until you’re willing to see what is in front of you? How can two individuals have such contrasting views of reality?…Read More
If you’re searching for a dramatic/thriller (in time for Halloween!) 1-minute monologue for a female (or could be male) actor, check out Shelley Knows. In this monologue, Louise, riddled with guilt after murdering Shelley in a fit of passion, fears this friend may be coming for her, from beyond the grave…Read More
If you’re searching for a dark, dramatic or thriller monologue for a female (in time for Halloween!), check out Buddy’s Mommy. In this 2-minute monologue, amidst the sounds of sirens drawing near, Cali imparts her final motherly words to her young son, Buddy. She hopes he will remember her for the strong love she has for him, not for the gruesome murders he’s going to soon hear about…Read More
Keeping in line with my month of Halloween/eerie drama, here is a newly released monologue of mine, Remove the Rock, Please. What happens when a reasonable request made by a good upstanding citizen is repeatedly ignored by the town mayor? A Banana Republic dress gets blood on it, apparently. Check out the dark comedy/thriller/dramatic monologue below, for a female actor.Read More
In this one-act dark comedy/thriller, Rachel and Peter meet in a vortex-like space between opposing lines of people. While Rachel is simply passing the time before she returns to her place in line, Peter has stepped out of his line in protest. As the lines begin to close in on them, he must make a life-altering decision by choosing to continue forging his path in his father’s line, or join the haunting allure of Rachel’s line, the “line of diamonds.”Read More